Friday, May 30, 2008

How Lon G Does It Take For Melanoma To Spread



I am beginning to seriously think that everything is corrupt .... I looked and looked
shows and I just can not understand how they can be regarded as such.
I look around, I observe people and I can not understand a lot of enthusiasm!
I do not see my way to see the art as "the best", but I do not understand ...
do not understand how you can get excited by images
unnecessary
where you put them all ... just because it
scene where the light of a neon I colored it shoots on her face
where the (absurdly)
mechanical ... where the nude becomes fashionable (and for me it is absurd to suggest)
where the television becomes THEATRE name. But to whom do I
if not just for me.
Where did the art!? Where is the emotion
... Where is the magic that has always encompassed the theater, what
without the need for projectors let you travel you So why rape into applause, so why continue?!


Silvana Pirone


Monday, January 28, 2008

Durabrand Costomer Service





Wood Theatre was founded by Luigi and Silvia Imperato Pirone in 2002. The two founders created the foundations of their work first as a student and a company of actors mime-theater-dance (Itinerarte) directed by Rosario Liguoro Portici (Na), then devoting himself to further study with different masters. Along with studying at the International Center for Research on the actor, directed by Michele Monetta and Lina Salvatore, also take part in seminars and meetings of varying length with actors of Odin Teatret, also taking part in performances under the direction of Augustus and Julia Varley Omolu in the festive week of Holstebro in Denmark. Also attending workshops with such masters as Peter Clough and Marise Flach and theoretical meetings held by university professors such as Marco De Marinis, Nicola Savarese, Ferdinando Taviani and Mirella Schino directors like Eugenio Barba. The two founders are added by 2003, a group of actors, many of them students of Michele Monetta: Viviana Agretti, Ilaria Cecere, Anna Palomba, Domenico Santo, Cira Sorrentino, Salvatore Veneruso, Danilo Agutoli, Faithful Canon.
Wood Theatre in the early days is involved in projects that take up more space for non-theatrical. Also collaborating on the territory of Vesuvius with different associations and organizations with which it takes part in events such as exhibitions and cultural events. He also participates in theater festivals and street arts festivals such as Naples Strite, Merchants, Castellarte.
while continuing his research and arrives at a project più maturo di messa in scena:
Il consolo
. Questo progetto viene premiato nel 2005 da Sosta Palmizi con un contributo-borsa di produzione nell’ambito di Junge Hunde ’05, progetto di sostegno ad artisti emergenti finanziato da fondi della Comunità Europea. Teatro di Legno viene anche ospitato in residenza dalla stessa Sosta Palmizi, che gli offre inoltre la possibilità di prove aperte ed incontri col pubblico presso i propri spazi. Il consolo è stato presentato (nella sua forma conclusiva) presso il Nuovo Teatro Nuovo di Napoli nel maggio 2006 ed anche nel settembre 2006 a Terni nell’ambito di EsTerni (festival internazionale della creazione contemporanea).
Attualmente la compagnia lavora a
La nave dei crazy
joint project of the National Selections Scenario Award 2007, and the show
The word "mother"
, award-winning project in New Sensitivity 2007/2008 competition organized by the New Teatro Nuovo Teatro Pubblico Campano and, with Amat - Teatro Stabile Marche - Milan Filodrammatici Theatre - Theatre of Sardinia - Castel Festival of the Worlds - Public Theater and Puglia with the support of ETI.


Friday, January 4, 2008

Stove Kichen Air Vent



1.'s Go to the theater (5-10 years): Wed. and Fri, 16.00

2. The world and its movements (11-15 years): Wed. and Fri, 17.30,
3. The forms of drama (over 16 years): Wed. and Fri, 19.00 hours

theater - stage movement - Rhythm and Action - Breathing, voice and diction
- Improvisation
- Elements of mime body - Mask and play - Create and meeting with the dramaturgical text


teatrodilegno@alice.it




Thursday, January 3, 2008

Is It Possible To Get Rid Of A Fetish



"It is not
true that the artist is a hero or a conqueror
bold and fearless as
want a conventional laws ... Believe me

is a poor man
senza armi e senza difese
che ha scelto il suo POSTO
a faccia a faccia con la PAURA.
Pienamente consapevoli!
E' nella consapevolezza
che nasce la PAURA."

Tadeusz Kantor